Friday, July 31, 2009

Sarah’s Secret

SarahsSECRET
“The Trilateral Commission, in 1993, adopted a new protocol stating that ‘due to the lowering intelligence of the average American, and the poor genetic pool, ALL American presidents will now be selected OUTSIDE of the United States.’ Obama from Kenya. McCain-(their original choice) from Panama.
But- and here is the scoop to end all scoops. Sarah Palin was NOT.. repeat NOT.. born in the USA as she has repeatedly claimed. Her real name is Sarah but her last name is Pa-Ling. She was smuggled into Alaska on a Japanese whaling vessel in 1970. You may think this is a joke.. but here is the proof. “
Everybody knows, “You Betcha” in Chinese (Yo Bet choo Wa) means “I destroy Capitalist America with nonsense salad made of words.”
Coincidence? Really?
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Wednesday, July 29, 2009

Obama-Racist?

LarryKing

Who knows? It’s possible I guess. We, however, remain skeptical about the photo.

Tuesday, July 28, 2009

Obama Baby

Obama Baby pictures Birth Certificate

Not to be outdone by all the “Birther” silliness, we thought we would add this bit of evidence. We can’t decide whether this photo is the smoking gun (baby in this case) or a very clever hoax. (ok. A little clever) We let you be the judge.

Sunday, July 26, 2009

Fitting in

puzzle  I didn't fit in there. I knew it. The owners of the distributing company knew it, all the other workers knew it and in the end, I became proud of that fact. I had promised my big shot brother, who had- in his own words- "pulled a lot of strings" and "called in a lot of favors" to get me this job, that I would work there for at least a year. The only person I could relate to at that place was George and all the other workers only pretended to like him. All in all, it was a dirty exhausting job with lots of heavy-lifting and absolutely no possibility for promotion. And, despite this, it was still a rather tedious job.

http://nomadicjoe.blogspot.com/2009/04/super-good.html

So much for the background. Now comes the bit about Crypto-quotes. A simple substitution cipher is one in which each letter of the original text is replaced by a different letter, which altogether makes a quote by a famous person.

For example, Mark Twain's quote would be written:

RQK HUBSG YFQ TYFPQF HC DIH ID KUHT HTYB Y SCCP QLYADXQ.

These would appear every day in The Oklahoman, and, being impatient with crossword puzzles, I would wile away my free time, trying to figure them out. Later, one of my co-workers, Richard, had taken the time to instruct me carefully on the details for solving these puzzles. Common letters-patterns for both consonants and vowels, single-letter words, two-letter words. After awhile, I became quite good at it and within, say, 5 minutes, I could usually work out the solution. (Now I couldn't complete one to save my life, for some reason.)

After about a month, I came up with a prank that I thought- at that time, anyway- was genius. My plan was to solve the puzzle first thing in the morning, before Richard had had a chance to look at the newspaper. And, then, I would drop the secret message (that is, the solved cipher) into the middle of a normal conversation, as if, it were some kind of sudden insight. Later, I imagined, he would begin to work on the problem and realize what I had done. If he had already solved the puzzle, then the joke would come off immediately. Ok. I admit, it isn't a knee-slapper by any stretch but it seemed clever at the time.

That particular day the secret message was: The beauty of true friendship is to understand and to be understood. Noble sentiments, to be sure, but I was not especially interested in any deeper meaning.

The front office, where customers were met and served, was to be the scene of my “escapade.” I was not officially welcome there and, staying past a 10- minute limit would provoke sharp remarks and spiteful looks by the overeager management. Kyle, the owner's younger brother, was the mildly incompetent  service manager-or whatever they decided to call it- in charge, at least in theory of a crew of service representatives. In the crew, there was Matt, a kind of young but rather heavy person with a very narrow sense of humor. In fact, his view of everything was pretty narrow. Melvin, the only black guy there, who tended to push the limits because he understood his racial advantage.  To put it more precisely, Melvin was completely aware that the company needed him slightly more than he needed the company. And finally there was steely Louisa with  the short reddish hair that naturally spiked. Wallet and chain and the perennial cowboy boots.

I forget what the conversation was about; certainly it had nothing to do with beauty or friendship or understanding. Probably something work related or some off-duty exploit. I let them chat awhile and then I said, with an impressive air of astuteness. "You know something, the beauty of friendship. You know what I think? The beauty of friendship is to understand. And.. to be understood." There was this strange moment of hesitancy and blankness. This was something I hadn't counted on. I casually looked around. Matt squinted at me, trying not to look cock-eyed.  I suppose he didn’t know how to respond. Louisa's eyebrows were knitted and stared at me in bewilderment. Rich was paying no attention at all and began reading an article in the paper. I decided, at that moment to make my exit. I waited and waited, but the plan fizzled. On this particular day, Richard had been called out of the office and had not had time to work on the crypto-quote. Hadn't had the time or inclination. And that was that. Well. actually, no.

Later that afternoon, Louisa came to the warehouse. "Say, um. What are you doing after work?" She asked me. This certainly took me aback. I was strictly an outsider, as far as the service department was concerned. They would openly discuss Sunday picnics and Saturday beer parties without even thinking about whether to ask me. I am sure, if in the unlikely possibility that I had been invited, I would have graciously declined. If I was an outsider, they belonged to a club I had no desire to be a member of. Still, for Louisa to make a special effort intrigued me.

"Nothing. Why?"
"I was thinking about going out for a beer after work. Want to come along?"

I didn't really know much about Louisa. A few details about a troubled relationship with a drunken father. My first thought was, therefore, that she needed somebody to talk with, somebody that had a certain amount of perspective and distance.

So after work, she drove us across town in her monstrous 4 by 4 to a little hole-in-wall bar named something like "Pearls." Small reflective windows, discreet signage,  a wraparound gravel parking lot. Flat roofed and a minimum of exterior decoration. I must have driven past this place a hundred times but, instinctively, I sensed it was not my kind of place.

Going from the hard Oklahoma sun to the cavernous dimness of the bar felt like somebody had thrown a burlap bag over my head. As my eyesight returned, I noticed that every other person in the bar was a woman. Women dancing with women and rough looking women with arms around cheerleader types. Frowning women behind the bar looking at me skeptically. Louisa was a regular and made sure to introduce me to her friends there. "A man I work with." Then, it dawned on me, that Louisa had heard me  chirp my little quote about friendship and concluded that I was passing on some kind of "secret handshake."

A few of the women feigned hospitality and half-hearted introductions were made. Louisa got caught up in the bar social circles while I tried not to become a victim of some ass-whooping by an angry lesbian out settle some scores on my chin. As I downed the last of my beer and, with a jaunty smile, made my way to the door, I realized that, once again, the joke was on me. At least here,  at Pearls, I didn’t have to try to fit in.

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Friday, July 24, 2009

Zeki Muren- A Turkish Original


One of my guilty pleasures has always been Zeki Muren. The first time I stumbled upon his image on a cassette cover, my reaction was,"Who is that... woman?" By then, Muren was well past the definition of "over the top" and working into peculiar. 

But then, I had just arrived in Turkey and I still had a lot to learn about Turkish culture. Artists here have, in many respects, much more latitude than in the West. One of the reasons for his public approval may be the fact that Muren was able to merge high Art and an understanding and sympathy for his audiences together with a unique style and stunning flamboyance.

Muren was given the freedom to live and perform as he wished because he was recognized as a cultural asset and a contribution to the appreciation of classical Turkish music. I was impressed by how easily Zeki Muren was accepted by Turkish audiences despite the fact that his appearance was extremely feminine, especially in the second half of his long career. He was the cultural equivalent to Liberace except with a lot more talent.

Imagine sitting in a nearly empty diner in a backwoods Turkish town and watching with a few bored middle-aged waiters what I mistook to be a masculine lesbian. By that time, he was into the frosted and elegantly arranged hair, pink sparkling tops, rings as large as ice cubes. It was a bit too easy to make a hasty judgment and write him off as just another cultural oddity that foreigners, from time to time, have to accept when they live abroad.

Still, the waiters didn't look like all that disturbed by this singer's appearance. In a nation that prides itself on his macho image, here was a performer who had found his niche as far on the opposite side of male bravado as possible and yet there was none of the shocked revulsion that one might have expected. One point for Turks- they seemed better able to separate the artist from the Art.

Zeki Muren was born in Bursa Turkey, on 6th December 1933. He began his career by performing in local summer theatre and in 1944, moved to the big city of Istanbul with his father's support to pursue his dream of becoming a singer.
After completing his training at the Fine Arts Academy in Istanbul, he recorded his first single in 1951 when he was a regular singer on Istanbul Radio. Its success began a forty-five-year professional career in which he composed more than one hundred songs and made more than two hundred recordings.

His first musical film “Beklenen Sarki” with Ms. Cahide Sonku the greatest female Turkish film star at the time received the success it deserved. Zeki Muren made 18 consecutive films with all great success.

If you have never seen a Zeki Muren film, you really ought to hunt one down, especially one of his black and white ones. Playing the romantic lead was no doubt problematic and for the most part, he tended towards playing shy and yearning types that loved the female lead from afar. The technical quality of his films are, for the most part, impressive but the storyline can take some striking and outrageous turns. One time I watched a film, which plodded along from song to song but then ended with a wild chase in which Muren tries to kill himself by running into an oncoming train while he is being chased on the railroad by a bride in full wedding gear!! anybody know this film? I would love to see it again.



Muren's stage performances were novel and extravagant by any standard and Muren was one of the first to use a catwalk stage in order to mingle with his audiences. In fact, it was this dialogue with his audiences, his manner of interacting and his diction and pronunciation of the Turkish language that probably best explains his appeal.

Between his films, Zeki Muren appeared in daytime matinées for women only.
"Only women come to listen to singers, and they bring their food and tea with them, like a picnic. They eat together, they dance together, they laugh together, they cry together." 
T.H., a graduate student at Middle East Technical University in Ankara, explains, 
"Zeki was very popular at these matinées and made many jokes about the fights between mothers and daughters-in-law. My mother has told me that not one single seat could be found, and at some matinées, there was standing room only."
By the time I arrived in Turkey, Muren was fighting accumulating health problems. He tended to lead a solitary life in Bodrum and appeared only rarely in public. Perhaps it was vanity and perhaps, he wisely chose to be remembered his past performances and his previous film and television appearances.

His failing health in the last five years of his life lead him to write many songs about death and dying. Muren died of a heart attack following a live performance on stage in Izmir for TRT television on September 24, 1996. His death caused the greatest public grief in years and thousands of Turks attended his funeral. T. H. observes,
"For those who felt sadness over Zeki’s death, there was still comfort in playing his music on records and videos. Zeki was unique, without precedent—an original. "



By the way, as a commenter has pointed out, I was remiss in not including the link to the entire interview cited in the text above. The interview from which quotes were taken was conducted by the late Mr. Sean Killeen whose colorful life and contributions are noted in the links below.  I encourage all readers to look at the links below.

The interview in full. http://www.pcasacas.org/SPC/spcissues/22.3/killeen.html

A dedication to Sean Killeen: http://peacecorpsworldwide.org/babbles/2009/03/25/the-passion-of-rpcv-sean-killeen/comment-page-1/

Sean Killeen’s obituary -Feb. 8, 2003 http://www.nyfolklore.org/pubs/voic29-1-2/obit.html

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